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‘Virtual video store appeal’: how Tubi became America’s best free streaming service

The streamer’s surprisingly varied library and ad-supported model has allowed it to start out-performing its far glossier, and more expensive, rivals

Eddie Redmayne says Warren Beatty offered to bail him out after email hack

Scam email saying that the actor was in a fix and needed cash was sent to contacts including Jamie Dornan – Beatty was the only one to come to his aid

Her Name Was Moviola review – ode to editing machine a geekgasm for analogue fans

One for the historians and tech specialists maybe, but this documentary about the Moviola, used from the 1920s until the 21st century, is a fascinating watch

‘We anchored ourselves in wild adventure!’ Tilda Swinton on her trippy film about learning, AI and neuroscience

What can a pipe-smoking caterpillar, a few algorithms and a researcher from the year 2042 tell us about the future of learning? The actor turned director explains all the ideas that fed into her thought-provoking new documentary

Scarlett Johansson’s OpenAI clash is just the start of legal wrangles over artificial intelligence

Hollywood star’s claim ChatGPT update used an imitation of her voice highlights tensions over rapidly accelerating technology

Wild Diamond review – French social-realist drama fuelled by TikTok energy

First-time actor Agathe Riedinger is a wannabe influencer from the wrong side of the tracks in this forthright and fluent film

‘My whole library is wiped out’: what it means to own movies and TV in the age of streaming services

Ownership rights are buried in the fine print and downloading or buying physical copies may be the only ways to keep your favourites

Sony and Apollo reportedly make $26bn offer for Paramount

Shares in media giant, whose chief executive Bob Bakish was this week ousted amid reports of clash with Shari Redstone, spike 12%

Soiled nappies and karate: AI-rendered Putin biopic to be released

Polish director Besaleel’s film will feature an AI-rendered Russian president and footage shot by Ukrainian film-makers during the Russian invasion

Where do we draw the line on using AI in TV and film?

Recent controversies, including Civil War posters and altered photos in a Netflix documentary, have led to concern over the growing use of artificial intelligence on screen

‘I’d buy fish and hide it under kale’: the star vegan chef who developed a taste for liver

What happened when a vegan influencer started craving burgers?

‘This current phase sucks’: readers on fight to preserve DVDs and Blu-rays

Readers share their thoughts on maintaining the world physical media after a feature exploring the phenomenon

On my radar: Nicole Flattery’s cultural highlights

The Irish writer on a sumptuous Francis Ford Coppola film, swimming in winter and the thrill of using a dumb phone

A Million Days review – low-budget sci-fi thriller asks if we should trust AI with our survival

In the near future humanity is doomed and our options are being determined by AI simulation – unfortunately for us, the AI doesn’t seem particularly bothered if we survive

Tyler Perry halts $800m studio expansion after being shocked by AI

US film and TV mogul says he has paused his plans, having seen demonstrations of OpenAI video generator

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  • The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
  • Ghost Killer review – fantastic karate chopping and gunslinging in in supernatural action-comedy
  • Two Women review – sex comedy remake is French-Canadian answer to Confessions of a Window Cleaner
  • James McAvoy: ‘I’ve been “that Scottish person”, reduced to a noise that comes out of my mouth’
  • Corey Feldman speaks out about Rob Reiner Oscars tribute snub: ‘Like a family reunion I wasn’t invited to’
  • McCartney: The Hunt for the Lost Bass review – amiable tale of how Macca’s Höfner was finally found
  • Mary Beth Hurt, star of Interiors and The World According to Garp, dies aged 79
  • Rob Schneider calls on US to restore military draft
  • ​​Being Ola review – a sweet and gentle film about disability, friendship and abandonment
  • ‘Nostalgic glint of adventure’: why The Beach is my feelgood movie
  • Night Stage review – public sex enthusiasm the key to extravagant and subversive erotic thriller
  • Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement
  • Kim Novak says Sydney Sweeney is ‘totally wrong to play me’ in biopic
  • Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘Break your silence’: Jane Fonda leads rally against Trump crackdown on arts and media
  • Robert Fox obituary
  • The Guardian view on new musicals: sex, drugs and song ‘n’ dance
  • Post your questions for Paul Dano
  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution

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