There’s no gore and little violence, so why does Eskil Vogt’s film about children with special powers provoke such strong reactions? He says it’s because the cruelty exhibited is uncomfortably relatable
Nabil Ayouch’s film Casablanca Beats offers a glimpse of how Moroccan teens are finding an outlet in hip-hop. The director reveals how its positive energy has given him hope
It has been accused of ‘shaming Moscow’ and ‘punching the Russian soldier in the face’. But the makers of this powerful drama about dogfights and dangerous desires refuse to be silenced